“Fairy ‘Ween” is just around the corner and the jack o’lanterns have been carved.
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Snapshot #47
Snapshot #46
Dust Bowl Tour Day 4
Beautifully done. Read more at redswrap.wordpress.com
We have a friend, a flamboyant, beautiful woman, a singer who can electrify a room with her voice, a person who can talk to anyone anywhere and make them love her. We’ve known her for years and we always knew she was born in Kansas.
But we didn’t know she was born in Nicodemus until a few weeks ago. And we didn’t know what that meant until today.
Our friend’s ancestors were among the former slaves who bought shares in the Nicodemus Town Company and traveled from Kentucky to Kansas in 1877 expecting to find houses waiting for them, instead the folks who had come before them were literally living in the ground in dugouts. From this hard beginning, the families founded “what would become the oldest continuously occupied town west of the Mississippi planned and settled by African Americans.” (National Park Service)

There are still people living in Nicodemus…
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Meow
Sound Like Anyone We Know?
Photograph #44
This one moved me. Let’s call it “My Reason Returned.”
“…raised my eyes toward heaven and my reason returned to me, and I blessed the Most High and praised and honored Him who lives forever; For His dominion is an everlasting dominion, And His kingdom endures from generation to generation.” Daniel 4:34
The Phone Booth Otsuchi Japan
How beautiful. From my friend at sanseilife.wordpress.com
The ‘Wind Phone’ (kaze no denwa). Image from Mikinee.
Itaru Sasaki who lives in Otsuchi Japan installed this booth a year before the 2011 tsunami disaster. He had just lost his cousin and was looking for a way to talk to him about his grief. Otsuchi still has 421 missing, lost in the 2011 tsunami.
The phone is not connected but people, entire families, come to speak to their missing or deceased loved ones.
Listen to this moving story from NPR This American Life, the phone booth is the first part of this segment 597: One Last Thing Before I Go narrated by Miki Meeks.







